MARRIOTT BUZZ NO. 15 - 2019

7 W hile today it is the Cairo Marriott, these magnificently- appointed grounds were once the sprawling palatial grounds formerly known as Al Gezira Palace. Commissioned by the Khedive in 1869 as a commemorative reception venue to accommodate visiting royalty, namely Empress Eugenie of France, for the inauguration of the Suez Canal. It should therefore come as little surprise that within the Cairo Marriott, there is still ample evidence, whether in the form of art or architecture and that stand as not only symbols of this location’s rich past, but also as historical artefacts of cultural significance in their own right. The Cairo Marriott is home to a confluence of cultural impressions and influences, from Arabian to Moorish and as well French and German. Together, such diverse influences give this unique palace-turned-hotel a lasting significance in this modern era, remaining more than just a hotel, but rather a historical landmark. Amongst the many treasures scattered at the grounds of the Gezira Palace, we take a closer look at three special items that have remained an integral part of the Cairo Marriott’s character as both a historical landmark and in its modern sense as a hotel destination with an exceptional antique charm. The three items; a marble statue of Lucifer (Satan) and a goat rounding a pillar, a 19 th century antique clock mount in brass, and finally the familiar and majestic golden arches of the Promenade, are all testaments to the Cairo Marriott’s special significance as national heritage, whose rich past has always defined it as something more than just a major hotel, but a tourist destination in its own right! Conceived in 1872, although by whom it remains a mystery, this magnificent sculpture is as intimidating and thought- provoking as it is gorgeous in its composition. Fashioned in stunning white marble (otherwise known as alabaster) and with a base drop of 282.5 centimeters and a height of 57 centimeters, this statue’s powerful presence belies its diminutive size. While simply titled “Devil and Goat,” this intricately detailed masterpiece is complex in both artisanal workmanship and figurative meaning. Twirling as though in a ritualistic dance of fate around a broad and husky palm GEZIRA PALACE’S REMNANTS OF RICH PAST